Hi Wilfred Seefeld! Tell us about yourself in two sentences - who are you?
I'm originally from Berlin, Germany, and worked there as freelance guide for over 30 years which allowed me to use the off-season between November and March for extensive travels. Last year I decided to give up my job and sell everything I had to follow my dream and passion of travelling around the world, and ever since I have become a long-term traveller documenting the multitude of impressions of my trips through my photography.
QWhat's the weirdest situation you've found yourself in while taking a photograph?
A When I was trying to capture a street scene in Jaisalmer in Rajasthan I suddenly felt a sharp pain in the lower part of my back. When I turned around I looked right into the face of a cow which had tried to push me out of the way by its horns.
QWhat do you shoot on? What's your favourite set up?
A I have always mainly worked with Nikon cameras starting out with the D90, followed by the D7000, and, more recently, by the D800. I shoot quite spontaneously whatever attracts my attention, people, street life, street art, graffiti, wall textures, architecture, landscapes, nature shots, for example, but I have developed a particular interest in portraiture since I have met a multitude of fascinating people of all ages and backgrounds throughout all of my travels.
QWhat's your number one tip for an aspiring photographer?
A Always have the camera at hand. Life is full of very brief magic moments, and it takes a great deal of luck to capture them. Also, I recommend to shoot in raw format to get the best results.
"One of my favorite pics I have uploaded to Picfair is the portrait of a boy from Jaisalmer in Rajasthan which I took at a local bus station. I very much like the strong feeling... Read more
"One of my favorite pics I have uploaded to Picfair is the portrait of a boy from Jaisalmer in Rajasthan which I took at a local bus station. I very much like the strong feeling of presence in this capture, the boy's intense look, which is very firm, and at the same time somewhat questioning and doubtful, and the way he is framed by the woman and the other boy in the background gives the image a very particular composition." Read less
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